6.9.11

‘Innovation Ecosystem’

Sydney-based Mark Tyrrell Studio has collaborated with Daniel Griffin to create a first prize winning entry to the 2011 international design competition Ideas on Edge Parramatta. The competition received over 150 entries, 40% international and the remainder from around Australia. There were three equal winners.
Tyrrell and Griffin’s concept focuses upon blurring the physical and metaphysical boundaries between the local culture of Parramatta, and its local ecosystem, finding moments of architectural drama at their junction.
View this competition brief:
Drawing showing the natural processes of the river, its species diversity and how this is translated into an architecture which is ‘of’ the river. View over raingarden edge and into ‘The Birdshell’.

Drawing showing the natural processes of the river, its species diversity and how this is translated into an architecture which is ‘of’ the river. View over raingarden edge and into ‘The Birdshell’.
Project Description from the Architects:
The scheme recognises that the site is located at a brackish point of the river where the fresh water from the inland meets the salt water from the coast. This mixing of waters produces a highly diverse ecosystem at a local level. It is a place where species of fish meet, where salt and freshwater tolerant plant species are found and where hundreds of birds are attracted to the mix.
Interestingly, the site also occurs at a key urban point where the busy urban spine of Church Street meets the river. Unfortunately, Parramatta has progressively turned its back on its river, which has become a forgotten drain rather than a living, changing natural focus for the city.
A view from the river into the proposal, showing the birdshell weaving beneath existing road/river infrastructure, further blurring the rivers edge.

A view from the river into the proposal, showing the birdshell weaving beneath existing road/river infrastructure, further blurring the rivers edge.
The design breaks down a series of abrupt and divisive river edges by laying a generative grid over river and land. The grid resolves itself into a variety of functional built elements in the design but also acts as a conceptual tool to blur land and water.
Next, a series of ‘program intensifiers’ are layered on the design. Local culture is intensified through the creation of an urban incubator for innovation and ideas. This takes the form of small studio spaces, research labs, aged and childcare, performance spaces and university and corporate support shopfronts. Together, this small-scale urbanism plugs into the disused rear of shops and creates a humming cultural district which moves out over the river.
View towards the innovation incubator, showing how new urban forms are clipped onto the dead edges of existing buildings. Also shows power generation grid overlaying the rivers edge.

View towards the innovation incubator, showing how new urban forms are clipped onto the dead edges of existing buildings. Also shows power generation grid overlaying the rivers edge.
The ecology of the site is intensified through a large sculptural building called ‘The Birdshell’. The building is a conference centre, but its façade accommodates and is designed around a celebration of urban birdlife. Hard concrete becomes a soft and living veil. From within the conference centre, birds create a shadow play on the walls. The form of the shell is designed to both amplify the varied birdcalls and to draw in and cool breezes from the river. It is an open aviary of an urban scale.
The site is allowed to flood regularly, and runoff is collected in a mosaic of raingardens that treat stormwater from the urban core of the design and release it clean to the river. Ultimately, the river has no edge in the final proposal; it is an urbanism ‘of ‘ a river rather than ‘beside’ a river.
The Parramatta City Council has been talking about turning Parramatta into Venice since mid 2010. However, Parramatta council does not need to copy the European model. Griffin and Tyrrell’s winning scheme aims to show that Parramatta has its own unique and Australian landscape identity, which should be fused with its own local culture to create a catalytic urbanism suited to Sydney’s second city, not Italy’s.
Complete competition board of the

Complete competition board of the "Innovation Ecosystem" entry
Images courtesy of Mark Tyrrell Studio.

13.4.11

BOXHOME: Small Living Inside A Stylish Norwegian Box

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Boxhome is a small, residential project in Oslo by Norwegian architects Rintala Eggertsson.

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The 19 square metre dwelling is described by the architects as being “a peaceful small home, a kind of urban cave”.

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It is constructed using a timber frame and is clad in aluminium. Internally, a different species of wood was chosen for each room.

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Here’s some more information from Rintala Eggertsson:

In the North all residential buildings have to be constructed in an advanced way due to the ever-changing weather. Additionally, houses have to be artificially heated for more than half of the year. Therefore producing smaller homes would bring about a considerable economical and ecological benefit. Today the construction industry is responsible for more than one third of total global energy and material consumption, well exceeding that of all traffic and transport. This should be a crucial question especially in Scandinavia, where people, in accordance with their growing wealth, possess larger and larger houses. And in most cases, this is in addition to a second home called a summer house or a cottage.

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Boxhome is a 19 square metre dwelling with four rooms covering the basic living functions: kitchen with dining, bathroom, living room and bedroom.

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Firstly, the project focuses on the quality of space, materials and natural light, and tries to reduce unnecessary floor area. The result is a dwelling which is a quarter of the price of any same size apartment in the same area. Boxhome is a prototype building, yet the same attitude could be taken further to bigger family housing and consequently to work places.

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The basic need to house a family has become a great business adventure. Making a simple house, after all, is perhaps not such a difficult task. Moreover, meeting the official construction restrictions and laws usually means the use of building industry products and services, thus limiting the possibility of real change and development.


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Thirdly, in Western societies at the moment we are enjoying the highest standard of living ever know to human kind. At the same time we are fully informed of the results of our culture of consumerism. Therein lays the greatest paradox: We are forced to actively forget the real reality to be able to enjoy the facade of excess we have created around us.

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Finally, and most importantly, the goal has been to make a peaceful small home, a kind of urban cave, where a person can withdraw to, and whenever they wish, forget the intensity of the surrounding city for a while.

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Client: Galleri ROM, Maridalsveien 3, Oslo, Norway.
Curator: Henrik de Menassian

Work group:
Sami Rintala, architect Oslo

Dagur Eggertson, architect Oslo
John Roger Holte, artist Oslo
Julian Fors, architect student Vienna

Sponsors:
Aspelin-Ramm/ fundingInfill/ funding
Ruukki/ metal facades
Pilkington Floatglass/ windows
Optimera Industri/ interior wood


Vitra Scandinavia/ chair and lamps

SM-Lys/ lamps

Byggmakker/ construction material
Glava Isolasjon/ insulation

Materials:
wood:

pine/ structures
cypress/ interior walls and floors
birch/ kitchen

spruce/ bathroom
red oak/ living room
nut/ bedroom
aluminium:

facades

Size: exterior measures 5500 cm (length) x 5700 cm (height) x 2300 cm (width).

 
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